07.05.2020»»четверг

How To Get Parallel View On Traktor Pro

07.05.2020
  1. How To Get Parallel View On Traktor Pro 3
  2. How To Get Parallel View On Traktor Pro 2
  • Latest Version:

    Traktor Pro 3.3.0 LATEST

  • Requirements:

    Windows 7 / Windows 7 64 / Windows 8 / Windows 8 64 / Windows 10 / Windows 10 64

  • Author / Product:

    Native Instruments / Traktor DJ software

  • Old Versions:

  • Filename:

    Traktor Pro 3 3.3.0 Setup PC.exe

  • MD5 Checksum:

    f92152248f806de24ae4ba2665c2ec54

  • Details:

    Traktor DJ software 2020 full offline installer setup for PC 32bit/64bit

Traktor Pro is an integrated DJ mixer software with studio-quality EQs and filters, flexible performance effects, automatic beat-matching and intuitive control functions that accommodate DJs of all styles and experience levels.
Traktor is the pro platform that top DJs trust, and Traktor Pro with Remix Deck technology is the most advanced version of Features and Highlights ever. Perform your mix on up to four decks, featuring TruWave colored waveforms, powerful looping and cueing functionality and an exceptional effects suite.
'Almost two decades ago, we created the first DJ software to truly conquer the club. Since then, it’s filled sound systems and dancefloors across the world, as well as house parties, bars, beaches, and everything in between. Now, with the app, we’ve built on that past to bring you new tools for sonic sculpting, best sound quality ever, and clearest interface to date – so you can play whatever you want, however you want, wherever you want.'
Features and Highlights
STAY IN SYNC
The software is great for honing your beatmatching skills, but you can also blend genres and bridge BPMs by letting the program do some of the work. Hitting the Sync button quickly gets your tracks beat-matched, so you have plenty of time to experiment with your mix.
REMIX WITH LOOPS, HOTCUES, AND BEATJUMPS
For those who really want to put their stamp on a set, the industry’s most reliable and seamless loop, Hotcue, and beatjump tools let you chop and re-edit tracks however you like. Unless you want to cut things up outside of the beat, the app will make sure you never skip out of the groove.
FULL FX SUITE INCLUDED
Modulate your tracks with over 40 intuitive, high-grade effects. the software’s famous Deck FX can twist and screw your tracks with endless variation, while new Mixer FX introduce easy-to-use effects in a single control on each channel. Turn them up, down, on, and off, for sonic exploration that’s out of this world.
NEW INTERFACE
We’ve overhauled the program’s user interface for extra clarity by flattening and sharpening it, so you can see everything you need to at a glance in challenging environments. New master and channel level metering means you can accurately gain your mix with full visual feedback.
NEW MIXER FX
Whether it’s heavy drops or smooth transitions that define your style, new Mixer FX are designed for one-knob modulation with big-sounding results. Choose from eight extra effects and three new filters to assign to each channel, in addition to the product’s famous Deck FX.
SCRATCH WITH ANY SOUNDCARD
TRAKTOR SCRATCH is now included in the PRO version, right out of the box. This means that DVS DJs using timecode vinyl can now use any soundcard they like, in addition to tried and tested, the SCRATCH Certified soundcards and mixers. So if there’s a model that does it for you, or if you’re playing back-to-back with somebody on a different setup, TRAKTOR 2020 latest can adapt.
SOUND YOUR BEST
The app sees a series of changes to audio engine, designed with club- sized sound systems in mind. New Elastique 3 time-stretching, an improved master limiter, and industry-mixer modeling options mean that whatever your style, and whatever you do to your tracks, they’ll always be music to your ears.
PLUG AND PLAY WITH ANY GEAR
Got a mixer or controller you know back-to-front, inside-out? Aside from seamless integration with all the software products, you can also hook up lots of the tool-ready gear. Most industry-standard equipment you’ll find in a DJ booth is compatible from the get-go, so you’ll never arrive at the club unprepared.
REMIX DECKS
One-shot samples and loops on Remix decks blur the lines between DJ and live performance. Insert samples, atmospheric effects, and more into a Remix deck and trigger them in sync with the rest of your mix. Drag a loop you like from another deck to keep it playing in your remix deck for extended mixes.
STEMS
The Stems audio format splits tracks into four musical components, such as drums, bass, vocals, and melody, so you can mix them independently. Edit and re-edit in the heat of the moment, blend basslines and vocals from tracks you know to create tracks you didn’t.
Note: Closes after 30 minutes, but can then be reopened to try again.
Also Available: Download Traktor for Mac
Hey, folks. Matthew Weiss here — weiss-sound.com, theproaudiofiles.com, and mixthru.co.

I want to talk about parallel processing. So what is parallel processing?

Dears, I've just updated to Traktor Pro 3.2.1.9. I am used to set the play-marker position to 4 (in Preferences/Track decks). When using the Deck input Parallel view, the wave of the tracks loads jst half and keeps loading when I play the track. Traktor Pro 3.1 has been unleashed, almost 20 years since the very first iteration. With an enhanced UI and slicker control, has Native perfected DJ software? Dan Jefferies finds out. Traktor Pro 3.1 offers a visual and audio overhaul that should please most users. New additions such as the Parallel. Native Instruments just released the latest update to Traktor Pro 3. Now at version 3.1, it includes the ability to view deck waveforms in a parallel, stacked manner at the top of the screen, similar to what you’d find on other DJ apps like Serato DJ, Virtual DJ and Rekordbox DJ.

Dears, I've just updated to Traktor Pro 3.2.1.9. I am used to set the play-marker position to 4 (in Preferences/Track decks). When using the Deck input Parallel view, the wave of the tracks loads.

Parallel

Parallel processing simply means taking an audio track, like let’s say an acoustic guitar or a vocal, and duplicating that track in some way, shape, or form — either by literally copying an identical track so that you have two playing simultaneously, or by sending it off to a separate aux and playing it along with the main channel.

Whatever it takes to get multiple versions of the exact same thing playing. Then you affect the duplicate track differently than the original track, and that’s very important to the concept.

So one really common example of parallel processing is parallel compression. If you’ve seen my other tutorials, you know that I do it on vocals pretty often — especially rap vocals pretty frequently.

That would be taking the original rap vocal — one mono channel — duplicating it, compressing the snot out of it, then blending that duplicate in usually somewhere about -10 to maybe -16 dB, depending on how much it needs underneath.

So a really heavily compressed version of the main vocal is, you know, ten to fifteen decibels quieter playing at the exact same time with the original vocal.

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Make sense?

Alright, so here is what we need to know about parallel processing. The key is that our duplicate track, whatever we’re trying to do with it, or our multiple duplicate tracks, are different than the original.

So let’s say that we have an acoustic guitar, and we simply duplicate the track, and we just play them both simultaneously.

The only thing that happens is that we get a louder version of the identical playback. It’s literally no different than simply turning up the volume on the original track.

One thing that I see tossed around the internet quite frequently is this technique of widening vocals, or thickening vocals, or I don’t know what exactly is being attempted to do with this technique that does not work, but the idea is to take multiple copies of the same vocal, you duplicate — you have the original, and then you duplicate one, and then you duplicate it again, so you have now two identical copies, and you pan the one duplicate off the left, and you pan the other duplicate off to the right, and this is supposed to in some way, shape or form, make your vocals thicker, or wider, or louder, or fuller, or whatever.

It really just makes them louder. Here’s why.

The vocal — the original vocal, as a mono track — is not playing out of a center speaker. It is playing out of both speakers — the left, and the right. It essentially is a stereo feed. It is feeding the left and the right speaker.

What makes it sound like it’s coming from the middle is that the left and right speaker are playing the exact same sound, at the exact same time, at the exact same level.

Our brain goes, “That’s coming from the middle!” Because it doesn’t know where else to put it.

If you duplicate the original track two times, and you pan one hard left, and one hard right so that those duplicates are playing out of their respective speakers at the same time, at the same level, all you’re getting is a louder version of a center image.

So you’ve effectively done nothing except for turn your main vocal up. Now, when you turn your main vocal up, it does create the illusion of something being wider, or fuller, or bigger, because it’s louder. Sometimes, that’s really all you want to do is to just turn the vocal up, because sometimes that’s all that it needs, but that’s not actually doing anything to actually thicken the vocal, or change it in any real way.

So, if you wanted to create a wider vocal doing something similarly, what you could do is make those two duplicates, and then pitch shift the first one down about six cents, and pitch shift the other one up about six cents, and pan the one to the left, and the one to the right, and maybe tuck them both down about twelve decibels.

What that will do is create an effective chorusing kind of feel where there is now some kind of stereo separation, because what’s happening on the left speaker is not identical to what’s happening on the right speaker.

So this would be a parallel chorusing effect, and that will give the feeling of your vocal being a little bit wider. Of course, it’s also going to create some phase discrepancies, so you have to be a little judicious about how much you’re going to do something like that, but that’s one technique using parallel processing to accomplish that thicker, fuller, wider sound.

How To Get Parallel View On Traktor Pro 3

Alright guys, that’s just one of many. Maybe I’ll write an article and I’ll just do a huge list of parallel processing techniques that you can use, but in any case, that should give you an idea as to what parallel processing is and what it isn’t, and some ideas for techniques that you can create on your own.

How To Get Parallel View On Traktor Pro 2

Alright, anyway guys, until next time.